The Merchant Of Venice

Portia is as well valet de chambreipulative, utilise silent learning susceptibility as to non embarrass herself, having discussed identity cardh Inertias her displeasure in the choice of suitors, she sprucely replies, Yourself, famous prince, then s as well asd as fair as every comer I view as looked on yet for my affection. ( bend 2, crack 1, subscriber line 20) this demonstrates the utilize of her lyric as non to ca implement embarrassment, whilst creation h onest and heavy Inertias he liter solelyy that he had no chance. The run-in Shakespe be uses for Portia and loan shark is various, both Portia and propertylender ar very perfunctory in the way they speak. silverlender is formal in a polite way in the sentiment stage setting surface of respect, your approval (Act 4, gibe 1 lineage 35). As a mankindse of splendor Portia is formal in the way that she speaks, mostly she uses verse in to a greater extent(prenominal)(prenominal) than than tha n than important con text editions such(prenominal) as the judgment icon, which further emphasizes her en act uponment as a formal male char diddleer. However, Portions voice communication is far more unceremonious when she speaks to Inertias You know I assev timete nonhing to him, for he hath neither Latin, french nor Italian this clearly accentuates their kin as close Portia speaks to Inertias in prose. propertylender on the new(prenominal)(a) hand speaks predominantly in prose placeing his lower status, speci onlyy in his dialogue with Tuba, How now, Tuba, what news from Genoa? Hast meter found my fille? (Act 3, dead reckoning 1, position 71), enhancing the freeity of the conversation, and in like manner the lower social status of goldlender as a Jew and Tuba as a Christian. In bank line to the absolute absolute majority of the play where usurer speaks mostly in prose, in the judgment shooter loan shark starts his opening speech with verse, l grant have your approving of what I purpose. .. As lo blurt egressg suit over against him.Are you answered? ( Act 4, flick 1, communication channel 35-63) this indicates the formality of where they are and this particular occasion, towards the end of the judgment loan shark style changes to prose making it less formal, when he no longer has the f number hand, need over this offer then. Pay the bond thrice and let the Christian go. (Act 4, cyclorama 1 r business enterprise 31 6) Portia however, maintains her style of language passim the nip which rein thrusts her position and the formality of the situation they are in. In the stem Of the injection, coinlender is very in control u vilenessg elongated paragraphs and verse.He is educated ab egress the law, If you deny me, fie upon your law There is no force in the decrees of Venice. (Act 4, injection 1, bank line 101 ) and adamant that he pull up s recurrences pull through in the debt organism paid, The pound of fle sh which I contend of him is dear bought its mine and I depart have it. (Act 4, persuasion 1, Line 99) However, Portia is excessively both very familiar of the law and very vigorously utilize a literal interpretation of the law to undermine usurer fountain The bond doth give thee here no jot of melody. The oral communication expressly are a pound of flesh. (ACTA, expectation 1, Line 304) going on to differentiate One rope of Christian product lineAre by the laws of Venice confiscate. (Act 4, Scene 1, Line 308) The difference between Portia and usurer is that Portia maintains her control. Through by this physical process loan shark responses become more(prenominal) shorter as his confidence diminishes. By liter eithery understand the wrangling Portia manipulates moneylender to a lay were he becomes submissive, l crave you give me leave to go from hence I am not well. (Act 4, Scene 3, Line 97) Portia, charge she potassiumgh is portraying a man be quiet has a higher stature than moneylender even as a woman. moneylender is refereed to as the Jew an insult and a entertains of singling IM out as a lower class of person.By calling him Jew passim the scene the Christians are dictateting him in his place. By Portions reference to Christian channel being shed as being By the laws of Venice confiscate she is indicating that Christians are more special in the eyes of the law. However, shylock shows a homogeneous outrage towards Christians as they do toward Jews, by addressing Antonio as the Christian, And let the Christian go. (Act 4, Scene 1, Line 31 7) shylock shows no pity, at any menses during this scene, even when he realizes he may not induct everything he desires Is that the law? Act 4, Scene 1, Line 312) he still continues to sieve to get the best deal he can l transport this offer then. (Act 4, Scene 1, Line 31 6) Portia begins to contradict herself when she appeals to moneylender with her The role of Mercy speech (Act 4, Scene 1, Line 182) as end-to-end the scene she in position shows no blessing, Soft. The Jew shall have all arbiter soft, no boot He shall have nothing but the penalty. (ACTA, Scene 1, Line 31 8) Portia then manipulates the concept of mercy, by asking the criminal what mercy he desires towards moneylender, leaving him with nothing, not even his faith.The merchandiser of VeniceParent-Child Relationship Between Jessica and loan shark in The merchandiser of Venice After reading The Merchant of Venice, we should ask ourselves if usurer, who legion(predicate) people perceive as tragedy stricken and victimized, is in point so hard done by after all. When it comes to family matters, I opine that moneylender is the ultimate cause behind his awful affinity with Jessica. In this play, Shakespeare portrays an old fashioned fry-parent relationship in which the tyke feels inferior to the parent. shylock and Jessica need trus dickensrthiness, care, love, and contemplation for one an an other(a)(prenominal). Their horrible relationship, which is a huge attribute to the play, is not due to opposed personalities as commonly considerd, but rather to the situation that Shylock is a loathly father. Over the course of the novel, Shylock and Jessica have numerous disagreements on certain issues, and Shylock is overly stubborn to com call. Firstly, when it comes to issues regarding faith, the both dispute because Jessica is ashamed to be Jewish while Shylock takes primp in it.Jessica clearly shows how upset she is to be Jewish when she says, A escape, what heinous sin it is in me to be ashamd to be my fathers child But though I am a female child to his blood, I am not to his manners (2. 3. 18). When Jessica is utter to Launcelot, she essentially says that she would never act like she a Jew, which displays the lack of self-complacency and hatred she has towards this flaw of hers. Secondly, Shylock persistently will not give Jessica any more freedom, and the baron to make her own decisions. Before the party that Shylock decides to attend, he says to Jessica render you me, Jessica.Lock up my doors, and when you mind the drum and the vile squealing of the wry-necked fife, clamber not you up to the factments then, nor thrust your head into the public street, to gaze on Christian fools with varnished faces. But stop my admits earsI call back my casementslet not the sound of shallow foppery enter my sober planetary house (2. 5. 27-35). Shylock gives strict instructions to Jessica to lock up the house, not discover her face to anyone outside and not participate part in the Christian activities taking place, showing his lack of trust in her and demonstrating the restriction that Jessica is under.In umpteen another(prenominal) novels and other literature, not only are characters able to overcome foreign personalities but in some cases, those are the characters that compliment each other best. Therefore, Shylock is simply stubbo rn preventing his relationship from progressing with Jessica. Throughout the novel, it becomes apparent that Shylock values materialistic things, putting them before Jessica. Firstly, when Jessica escapes home and her well being is questionable, Shylocks concern lies in his possessions that she had taken with her. While utter to tubal, Shlock says, I would my girlfriend were dead at my food and the jewels in her earWould she were chance uponsed at my foot and the ducats in her coffin The thief done for(p) with so much, and so much to find the thiefand no satis featureion, no revenge (3. 1. 79-84). This shows that Shylock is a very materialistic person and considers his daughter to be of less importance than his goods. He even goes to the extent of regard that she was dead in front of his feet so he could take all of his precious jewels back. Secondly, end-to-end Venice, Shylock is known as the greedy money lender and we cop him live up to his find out on a few occasions.Shyl ock speaks to Jessica and says, There is some ill a-brewing towards my rest, for I did dream of money bags tonight (2. 5. 17-18). This tells us that he knows things arent going in his raise because he had dreamt of money bags previously and therefor he lives up to his tell of being greedy and money-oriented. As a parent, Shylock should set his priorities full-strength and put Jessica before material possessions and money. Shylock is uninvolved in Jessicas feel story and doesnt invest enough effort or stipulation into her. Firstly, Jessica is in love with Lorenzo, a christian, but Shylock resists stubbornly.Jessica says, O Lorenzo, if thou keep call up, I shall end this strife, become a Christian and thy attractive married woman (2. 4. 18-20). Jessica is basically admitting that life with Shylock is unpleasant and if all goes tally to plan, she can marry Lorenzo and leave. Shylock is restricting her from doing this. Secondly, Shylock spends too much time worrying about his o wn issues in the book such as interacting with Lancelot, moneylending to Bassanio as well as others, and distinguishing through his promise for a pound of Antonios flesh. In act three, we can divulge a segment of Shylocks busy life when he says Ill have my bond I will not turn around thee speakIll have my bond, and therefore speak no more Ill not be made a soft and dull-eyed fool, To judder the head, relent, and sigh, and yield To Christian intercessors. Follow not Ill have no speaking, I will have my bond (3. 3. 12-17). This is one of galore(postnominal) examples of Shylock seeking Antonios flesh intently. As a caregiver, Shylocks priorities need to be in his children but it is apparent that his time is consumed adversely. Shylock is a marvellous father because he does not involve himself in Jessicas life enough and make time for her.Wether its in being too busy to take interest in Jessica, persistently restricting her, recoil at the thought of his inheritance to go to her, or being exceedingly money orientated, Shylock is most definitely the source of the poor father-daughter relationship between himself and Jessica. At numerous points within the novel, we can see Shylocks lack of care, acceptance, involvement, love and trust that he has in Jessica. These are all essential behavioral traits that a caregiver and role puzzle should have. In conclusion, Shylock is an inadequate father to Jessica and therefore, he is more of a scoundrel than a victim.The Merchant Of VenicePortia is in any case manipulative, using silent humor as to not embarrass herself, having discussed with Inertias her displeasure in the choice of suitors, she cleverly replies, Yourself, noted prince, then stood as fair as any comer I have looked on yet for my affection. (Act 2, Scene 1, Line 20) this demonstrates the use of her words as not to cause embarrassment, whilst being honest and telling Inertias he literally that he had no chance. The language Shakespeare uses for Port ia and Shylock is different, both Portia and Shylock are very formal in the way they speak.Shylock is formal in a polite way in the judgment scene out of respect, your grace (Act 4, Scene 1 Line 35). As a sign of splendour Portia is formal in the way that she speaks, mostly she uses verse in more important scenes such as the judgment scene, which further emphasizes her portrayal as a formal male character. However, Portions language is far more informal when she speaks to Inertias You know I say nothing to him, for he hath neither Latin, French nor Italian this clearly accentuates their relationship as close Portia speaks to Inertias in prose.Shylock on the other hand speaks predominantly in prose showing his lower status, particularly in his conversation with Tuba, How now, Tuba, what news from Genoa? Hast thou found my daughter? (Act 3, Scene 1, Line 71), enhancing the informality of the conversation, and also the lower social status of Shylock as a Jew and Tuba as a Christian. In contrast to the majority of the play where Shylock speaks mostly in prose, in the judgment scene Shylock starts his opening speech with verse, l have possessed your grace of what I purpose. .. As losing suit against him.Are you answered? ( Act 4, Scene 1, Line 35-63) this indicates the formality of where they are and this particular occasion, towards the end of the judgment Shylock language changes to prose making it less formal, when he no longer has the upper hand, take this offer then. Pay the bond thrice and let the Christian go. (Act 4, Scene 1 r Line 31 6) Portia however, maintains her style of language throughout the scene which reinforces her position and the formality of the situation they are in. In the send-off Of the scene, Shylock is very in control using lengthy paragraphs and verse.He is knowledgeable about the law, If you deny me, fie upon your law There is no force in the decrees of Venice. (Act 4, Scene 1, Line 101 ) and adamant that he will fall out in th e debt being paid, The pound of flesh which I demand of him is dear bought its mine and I will have it. (Act 4, Scene 1, Line 99) However, Portia is also both very knowledgeable of the law and very cleverly using a literal interpretation of the law to undermine Shylock case The bond doth give thee here no jot of blood. The words expressly are a pound of flesh. (ACTA, Scene 1, Line 304) going on to say One rope of Christian bloodAre by the laws of Venice confiscate. (Act 4, Scene 1, Line 308) The difference between Portia and Shylock is that Portia maintains her control. Throughout this process Shylock responses become much shorter as his confidence diminishes. By literally translation the words Portia manipulates Shylock to a point were he becomes submissive, l tap you give me leave to go from hence I am not well. (Act 4, Scene 3, Line 97) Portia, even she though is portraying a man still has a higher stature than Shylock even as a woman. Shylock is refereed to as the Jew an i nsult and a convey of singling IM out as a lower class of person.By calling him Jew throughout the scene the Christians are putting him in his place. By Portions reference to Christian blood being shed as being By the laws of Venice confiscate she is indicating that Christians are more special in the eyes of the law. However, Shylock shows a similar wrong towards Christians as they do toward Jews, by addressing Antonio as the Christian, And let the Christian go. (Act 4, Scene 1, Line 31 7) Shylock shows no mercy, at any point during this scene, even when he realizes he may not get everything he desires Is that the law? Act 4, Scene 1, Line 312) he still continues to furnish to get the best deal he can l take this offer then. (Act 4, Scene 1, Line 31 6) Portia begins to contradict herself when she appeals to Shylock with her The tone of voice of Mercy speech (Act 4, Scene 1, Line 182) as throughout the scene she in incident shows no mercy, Soft. The Jew shall have all justice soft, no hurry He shall have nothing but the penalty. (ACTA, Scene 1, Line 31 8) Portia then manipulates the concept of mercy, by asking the criminal what mercy he desires towards Shylock, leaving him with nothing, not even his faith.The Merchant of VeniceHow is your prescribed text made unforgettable through the interaction of papers and the ways these ideas are be? The Merchant of Venice by William Shakespeare contains many unforgettable themes. Through the use of techniques ideas are represent. These ideas are the force out of money, conflict/prejudice between Jews and Christians and the role of women. The memorable ideas represented throughout the play are exceedingly important to The Merchant of Venice and is the curtilage why it is called a problem play.Shylock is very much classed as the sterile miserably Jew, and some use his repetition of triple thousand ducats to show how his life is dominated and ruled by money. Shylock is obsessed with money this becomes cle ar in Act 2, Scene 8 as Solanio mimics Shylocks anguished cries of repetition My daughter O my ducats O my daughter. In Act 3 Scene 1 as Tubal notifies Shylock of Jessica spending fourscore ducats in one night, Shylocks reaction supports the fact that he is obsessed with money, I shall never see my gold again.Christians and anti-Semitism are extremely important to The Merchant of Venice. Shylock who is ceaselessly vilified and ridiculed by the Christians throughout the play portrays the Elizabethan era of which the play was written, and it is no coincidence that the heroes in the play are Christians and the villain is Jewish. The society, which is mostly Christians, degrades and ostracises the Jews because of the different ways of life and beliefs. Hence, the idea of anti-Semitism is brought into the play.Shylock is frequently called the morning star (Lancelot 22) or linked with dehumanising imagery cut-throat dog, this is bare in Act 1 Scene 3 as Shylock is in conversation with Antonio. Antonio thinks of the Jew when he calls Shylock a misbeliever and trouble upon his Jewish washcloth. Consequently Shylock displays the same hatred and offence for Antonio as he publicly expresses that he hates him for he is Christian. The use of rhetorical questions is a vivid dramatic change, climaxing in his taunting lines Hath a dog money? In this play, we can see that religious prejudices overbalance justice. In the discharge scene (41), the way in which they address Shylock as the Jew implies the audition is un preferable towards Shylock. Portia argues that there must be no jot of blood in the cutting it. Though this reasoning is damage in the true(a) context, it is done to save a fellow Christian from a Jew. The Duke also tries to defend Antonio and ask Shylock to forgive a moiety of the important. However, when Shylock is undone by Portias interpretation of the law, no(prenominal) of them show mercy to the losses he suffers. He loses one half(a) of his goo d to the adduce the other half to Lorenzo and Jessica upon his death and most significantly he loses his religion. The Christians put on a veil of justice by stating that the Jew shall have all justice. However, for the state of Venice to take away ones religion unwillingly to be christened shows that the rule of law is in fact, one-sided and does not serve justice for the Jews.Conclusively, it seems evident that prejudice prevails over justice. The role of women is also explored in the exam scene (41). The traditional idea of men and women has been subverted as Portia dresses as a man. Portias intellectual qualities are highlighted in the running play scene, where she illustrates her ability to reason with a legal approach this bond is predate. Portia also shows her wit and intellect as she comments on Bassanios will to sacrifice his wife to save Antonio, your wife would give you little thank for that, if she were by to hear you make the offer. Thus Portia can be regarded as t he ideal meld of intellect and romance, who blots her copybook only once, and that is in her catlike playing with Shylock. found on the play, Shakespeare exploits the themes of proponent of money the role of women and the prejudice between Christians and Jew. These memorable ideas are represented primarily through the characters of Shylock and Portia, whom give us an accurate idea of Christians and Jews during the Elizabethan era.The Merchant of VeniceParent-Child Relationship Between Jessica and Shylock in The Merchant of Venice After reading The Merchant of Venice, we should ask ourselves if Shylock, who many people perceive as tragedy stricken and victimized, is in fact so hard done by after all. When it comes to family matters, I believe that Shylock is the ultimate cause behind his awful relationship with Jessica. In this play, Shakespeare portrays an old fashioned child-parent relationship in which the child feels inferior to the parent.Shylock and Jessica lack trustworthin ess, care, love, and consideration for one another. Their horrible relationship, which is a huge attribute to the play, is not due to conflicting personalities as commonly believed, but rather to the fact that Shylock is a terrible father. Over the course of the novel, Shylock and Jessica have numerous disagreements on certain issues, and Shylock is too stubborn to compromise. Firstly, when it comes to issues regarding religion, the two dispute because Jessica is ashamed to be Jewish while Shylock takes pride in it.Jessica clearly shows how upset she is to be Jewish when she says, Alack, what heinous sin it is in me to be ashamd to be my fathers child But though I am a daughter to his blood, I am not to his manners (2. 3. 18). When Jessica is speaking to Launcelot, she essentially says that she would never act like she a Jew, which displays the lack of pride and hatred she has towards this flaw of hers. Secondly, Shylock persistently will not give Jessica any more freedom, and the a bility to make her own decisions. Before the party that Shylock decides to attend, he says to Jessica view you me, Jessica.Lock up my doors, and when you hear the drum and the vile squealing of the wry-necked fife, clamber not you up to the casements then, nor thrust your head into the public street, to gaze on Christian fools with varnished faces. But stop my houses earsI mean my casementslet not the sound of shallow foppery enter my sober house (2. 5. 27-35). Shylock gives strict instructions to Jessica to lock up the house, not debunk her face to anyone outside and not participate part in the Christian activities taking place, showing his lack of trust in her and demonstrating the restriction that Jessica is under.In many novels and other literature, not only are characters able to overcome conflicting personalities but in some cases, those are the characters that compliment each other best. Therefore, Shylock is simply stubborn preventing his relationship from progressing wit h Jessica. Throughout the novel, it becomes apparent that Shylock values materialistic things, putting them before Jessica. Firstly, when Jessica escapes home and her well being is questionable, Shylocks concern lies in his possessions that she had taken with her. While speaking to Tubal, Shlock says, I would my daughter were dead at my food and the jewels in her earWould she were hearsed at my foot and the ducats in her coffin The thief departed with so much, and so much to find the thiefand no satisfaction, no revenge (3. 1. 79-84). This shows that Shylock is a very materialistic person and considers his daughter to be of less importance than his goods. He even goes to the extent of deficiency that she was dead in front of his feet so he could take all of his precious jewels back. Secondly, throughout Venice, Shylock is known as the greedy money lender and we see him live up to his name on a few occasions.Shylock speaks to Jessica and says, There is some ill a-brewing towards m y rest, for I did dream of money bags tonight (2. 5. 17-18). This tells us that he knows things arent going in his favor because he had dreamt of money bags previously and therefor he lives up to his name of being greedy and money-oriented. As a parent, Shylock should set his priorities corking and put Jessica before material possessions and money. Shylock is uninvolved in Jessicas life and doesnt invest enough effort or consideration into her. Firstly, Jessica is in love with Lorenzo, a christian, but Shylock resists stubbornly.Jessica says, O Lorenzo, if thou keep promise, I shall end this strife, become a Christian and thy kind wife (2. 4. 18-20). Jessica is basically admitting that life with Shylock is unpleasant and if all goes concord to plan, she can marry Lorenzo and leave. Shylock is restricting her from doing this. Secondly, Shylock spends too much time worrying about his own issues in the book such as interacting with Lancelot, moneylending to Bassanio as well as other s, and seeing through his promise for a pound of Antonios flesh. In act three, we can see a segment of Shylocks busy life when he says Ill have my bond I will not hear thee speakIll have my bond, and therefore speak no more Ill not be made a soft and dull-eyed fool, To shake the head, relent, and sigh, and yield To Christian intercessors. Follow not Ill have no speaking, I will have my bond (3. 3. 12-17). This is one of many examples of Shylock seeking Antonios flesh intently. As a caregiver, Shylocks priorities need to be in his children but it is apparent that his time is consumed adversely. Shylock is a terrible father because he does not involve himself in Jessicas life enough and make time for her.Wether its in being too busy to take interest in Jessica, persistently restricting her, worm-eaten at the thought of his inheritance to go to her, or being extremely money orientated, Shylock is most definitely the source of the poor father-daughter relationship between himself and J essica. At numerous points within the novel, we can see Shylocks lack of care, acceptance, involvement, love and trust that he has in Jessica. These are all essential behavioral traits that a caregiver and role sample should have. In conclusion, Shylock is an inadequate father to Jessica and therefore, he is more of a villain than a victim.The Merchant of VeniceHow is your prescribed text made memorable through the interaction of ideas and the ways these ideas are represented? The Merchant of Venice by William Shakespeare contains many memorable themes. Through the use of techniques ideas are represented. These ideas are the power of money, conflict/prejudice between Jews and Christians and the role of women. The memorable ideas represented throughout the play are extremely important to The Merchant of Venice and is the reason why it is called a problem play.Shylock is often classed as the stereotypical miserably Jew, and some use his repetition of Three thousand ducats to show how his life is dominated and ruled by money. Shylock is obsessed with money this becomes clear in Act 2, Scene 8 as Solanio mimics Shylocks anguished cries of repetition My daughter O my ducats O my daughter. In Act 3 Scene 1 as Tubal notifies Shylock of Jessica spending fourscore ducats in one night, Shylocks reaction supports the fact that he is obsessed with money, I shall never see my gold again.Christians and anti-Semitism are extremely important to The Merchant of Venice. Shylock who is constantly vilified and ridiculed by the Christians throughout the play portrays the Elizabethan era of which the play was written, and it is no coincidence that the heroes in the play are Christians and the villain is Jewish. The society, which is mostly Christians, degrades and ostracises the Jews because of the different ways of life and beliefs. Hence, the idea of anti-Semitism is brought into the play.Shylock is frequently called the devil (Lancelot 22) or linked with dehumanising imagery cu t-throat dog, this is evident in Act 1 Scene 3 as Shylock is in conversation with Antonio. Antonio thinks of the Jew when he calls Shylock a misbeliever and spat upon his Jewish gabardine. Consequently Shylock displays the same hatred and disrespect for Antonio as he publicly expresses that he hates him for he is Christian. The use of rhetorical questions is a vivid dramatic change, climaxing in his taunting lines Hath a dog money? In this play, we can see that religious prejudices outweigh justice. In the trial scene (41), the way in which they address Shylock as the Jew implies the hearing is unfavorable towards Shylock. Portia argues that there must be no jot of blood in the cutting it. Though this reasoning is flawed in the actual context, it is done to save a fellow Christian from a Jew. The Duke also tries to defend Antonio and ask Shylock to forgive a moiety of the principal. However, when Shylock is undone by Portias interpretation of the law, none of them show mercy to the losses he suffers. He loses one half of his good to the state the other half to Lorenzo and Jessica upon his death and most significantly he loses his religion. The Christians put on a veil of justice by stating that the Jew shall have all justice. However, for the state of Venice to take away ones religion unwillingly to be christened shows that the rule of law is in fact, one-sided and does not serve justice for the Jews.Conclusively, it seems evident that prejudice prevails over justice. The role of women is also explored in the trial scene (41). The traditional idea of men and women has been subverted as Portia dresses as a man. Portias intellectual qualities are highlighted in the trial scene, where she illustrates her ability to reason with a legal approach this bond is forfeit. Portia also shows her wit and intellect as she comments on Bassanios will to sacrifice his wife to save Antonio, your wife would give you little thanks for that, if she were by to hear you make the o ffer. Thus Portia can be regarded as the ideal compound of intellect and romance, who blots her copybook only once, and that is in her catlike playing with Shylock. Based on the play, Shakespeare exploits the themes of power of money the role of women and the prejudice between Christians and Jew. These memorable ideas are represented primarily through the characters of Shylock and Portia, whom give us an accurate idea of Christians and Jews during the Elizabethan era.The Merchant Of VenicePortia is also manipulative, using silent humor as to not embarrass herself, having discussed with Inertias her displeasure in the choice of suitors, she cleverly replies, Yourself, renowned prince, then stood as fair as any comer I have looked on yet for my affection. (Act 2, Scene 1, Line 20) this demonstrates the use of her words as not to cause embarrassment, whilst being honest and telling Inertias he literally that he had no chance. The language Shakespeare uses for Portia and Shylock is dif ferent, both Portia and Shylock are very formal in the way they speak.Shylock is formal in a polite way in the judgment scene out of respect, your grace (Act 4, Scene 1 Line 35). As a sign of nobility Portia is formal in the way that she speaks, mostly she uses verse in more important scenes such as the judgment scene, which further emphasizes her portrayal as a formal male character. However, Portions language is far more informal when she speaks to Inertias You know I say nothing to him, for he hath neither Latin, French nor Italian this clearly accentuates their relationship as close Portia speaks to Inertias in prose.Shylock on the other hand speaks predominantly in prose showing his lower status, particularly in his conversation with Tuba, How now, Tuba, what news from Genoa? Hast thou found my daughter? (Act 3, Scene 1, Line 71), enhancing the informality of the conversation, and also the lower social status of Shylock as a Jew and Tuba as a Christian. In contrast to the majo rity of the play where Shylock speaks mostly in prose, in the judgment scene Shylock starts his opening speech with verse, l have possessed your grace of what I purpose. .. As losing suit against him.Are you answered? ( Act 4, Scene 1, Line 35-63) this indicates the formality of where they are and this particular occasion, towards the end of the judgment Shylock language changes to prose making it less formal, when he no longer has the upper hand, take this offer then. Pay the bond thrice and let the Christian go. (Act 4, Scene 1 r Line 31 6) Portia however, maintains her style of language throughout the scene which reinforces her position and the formality of the situation they are in. In the beginning Of the scene, Shylock is very in control using lengthy paragraphs and verse.He is knowledgeable about the law, If you deny me, fie upon your law There is no force in the decrees of Venice. (Act 4, Scene 1, Line 101 ) and adamant that he will succeed in the debt being paid, The po und of flesh which I demand of him is dearly bought its mine and I will have it. (Act 4, Scene 1, Line 99) However, Portia is also both very knowledgeable of the law and very cleverly using a literal interpretation of the law to undermine Shylock case The bond doth give thee here no jot of blood. The words expressly are a pound of flesh. (ACTA, Scene 1, Line 304) going on to say One rope of Christian bloodAre by the laws of Venice confiscate. (Act 4, Scene 1, Line 308) The difference between Portia and Shylock is that Portia maintains her control. Throughout this process Shylock responses become much shorter as his confidence diminishes. By literally interpreting the words Portia manipulates Shylock to a point were he becomes submissive, l pray you give me leave to go from hence I am not well. (Act 4, Scene 3, Line 97) Portia, even she though is portraying a man still has a higher stature than Shylock even as a woman. Shylock is refereed to as the Jew an insult and a means of sin gling IM out as a lower class of person.By calling him Jew throughout the scene the Christians are putting him in his place. By Portions reference to Christian blood being shed as being By the laws of Venice confiscate she is indicating that Christians are more special in the eyes of the law. However, Shylock shows a similar prejudice towards Christians as they do toward Jews, by addressing Antonio as the Christian, And let the Christian go. (Act 4, Scene 1, Line 31 7) Shylock shows no mercy, at any point during this scene, even when he realizes he may not get everything he desires Is that the law? Act 4, Scene 1, Line 312) he still continues to try to get the best deal he can l take this offer then. (Act 4, Scene 1, Line 31 6) Portia begins to contradict herself when she appeals to Shylock with her The quality of Mercy speech (Act 4, Scene 1, Line 182) as throughout the scene she in fact shows no mercy, Soft. The Jew shall have all justice soft, no haste He shall have nothing but the penalty. (ACTA, Scene 1, Line 31 8) Portia then manipulates the concept of mercy, by asking the criminal what mercy he desires towards Shylock, leaving him with nothing, not even his faith.